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Behind Mémoire Bleue

Updated: 6 days ago





With only a few days to go before photographing Mémoire Bleue, I wanted to share a glimpse behind the process and how this body of work slowly found its direction.

Over the past six months, I have been researching, experimenting and letting myself create without a fixed outcome in mind. Throughout that process, stripes and shades of blue kept returning, which made me question why I felt so drawn to them and what they might represent.

This has also been a year of reflecting on my own sense of home. Looking back, it feels fitting that my subconscious took me back to the beginning: my childhood and early years in Europe.





 Much of this collection grew through 

experimentation. I spent months in

my creative bubble, applying plaster,

testing patterns and following each

idea without knowing exactly where

it would lead. Slowly, a visual language

began to emerge.



As the patterns became more defined, I began

exploring how they could move beyond the

artworks and onto functional forms. This led to

a collection that brings together wall pieces,

tables, stools and sculptural plinths, all

connected by the same language.





It was only once the pieces began coming


together that I could see the story forming


between them. The repeated lines, fragmented


patterns and different shades of blue felt like


flashes of memory, each holding a small part


of something familiar.






Mémoire Bleue is coming soon...

 
 
 

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I acknowledge the Arakwal people of the Bundjalung Nation, the Traditional Custodians of the land on which I live and create. I pay my respects to Elders past and present, and honour their enduring connection to Country, culture and community.

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